Site por/by Tanja Baudoin

Agora, now -

Publicação ‘Ducha - Arte para não ser vista’ / Publication ‘Ducha - Art, not to be seen’, no xow.rumi e Glicerina

‘Onze werkervaring heeft ons hierop voorbereid’, in gesprek met Antonio Amador en Jandir Junior / ‘Our work experience has prepared us for this’, in conversation with Antonio Amador and Jandir Jr in Metropolis M

‘Welcome to Cuckoo Land’, republication of interview with Priscila Fernandes, with new reflection by the artist, in Apria

SNEAK PEEK Dançar, condições para mover, conversa com Sofia Caesar / Dancing, conditions for moving, conversation with Sofia Caesar

Projetos, projects -

2020–2021 - Grupo de leitura e tradução com tijuana e par(ent)esis - 2021 - Seminário Independências Dependentes, CAPACETE - Como Fazer, oficinas virtuais 2020 - Exposição Arte para não ser vista, CAPACETE - 2019 - Hospedando Lélia Gonzalez, EAV - Hospedando Eco-Sensorial, EAV - Programa de performance Um Berro, um Sussurro, EAV - 2018 - Maneiras de trabalho, CAPACETE - Curso A Little More Conversation, EAV - 2016 - Exhibición Islas Nuevas con Maricruz Alarcón, Galeria Macchina - 2015 - CAPACETE residency - 2012 - Fieldwork:Marfa residency - 2008 - Specters, Hauntings & Archives conference, UvA

Instituc/tional -

2021–atual, current - Assistente Projeto Catálogo Raisonné Tunga, Instituto Tunga - 2021 - Consultora curatorial Tropix.io - 2019–2020 - Curadora residente na Biblioteca | Centro de Documentação e Pesquisa, EAV Parque Lage - 2016–2018 - Professora EAV Parque Lage - 2010–2015 - Head of Discursive Programme and Curator at If I Can't Dance, I Don't Want To Be Part Of Your Revolution - 2009–2011 - Webeditor Mediamatic

Traduções, translations -

Recent(e) - 2023 - Hay Lugar, Ivana Vollaro / par(ent)esis - 2022 - Era de Ouro Hora de Euro, Daniel Frota de Abreu - Client(e)s - Rede Nami - Instituto Rubens Gerchman - A Gentil Carioca - Museu de Imagens do Inconsciente - EAV Parque Lage - Instituto Pretos Novos - Gerrit Rietveld Academie/UvA - CAPACETE - muitos artistas cariocas e de outros países, many artists from Rio and other countries

Text(o)s -

04/2023 - Perfil ‘Pesquisadores ao redor do mundo’, in Revista Humanos, vol. 1, SescRio

03/2023 - Texto na publicação ‘Biblioteca Estufa ’, projeto da Mariana Guimarães e Simone Morais

11/2020 - ‘Cinema, sexo e a cidade. Um percurso pelo corpo das obras de Caroline Valansi’, in Revista Select online (See the artist's website for an early version of this text, in English)

05/2020 - ‘Maneiras de trabalho e o artista como fornecedor das experiências’, in Teteia

01/2020 - ‘Overlay’ (on Ricardo Basbaum), Artists in Wittenberger Weg, Zentrum fûr Peripherie, Dusseldorf

12/2019 - Livreto ‘Hospedando Lélia Gonzalez’, co-editor with Juliana Machado, Rubia Luiza da Silva, and Ulisses Carrilho, published by EAV Parque Lage

12/2019 - ‘Tempo de imaginar: Entrevista com Priscila Fernandes’, Revista Observatório 26, Itaú Cultural

09/2019 - ‘Limites móveis: Sobre dispositivos de enquadramento na obra ‘eu-você’ de Ricardo Basbaum’, in ‘De Vidas Artes’, publication edited by Lígia Dabul and Paula Guerra, Universidade do Porto

05/2019 - Interview with Barbara Wagner, published in Metropolis M magazine

11/2018 - Publication ‘CAPACETE 20 anos - comendo, bebendo, pensando’, contributor and co-editor with Helmut Batista and Mariana Lanari, published by CAPACETE

04/2017 - Interview with Bernardo Oyarzún, published in Metropolis M magazine

10/2016 - Review of the 32nd Biennial of São Paulo, published in Metropolis M magazine

07/2016 - Two-part article ‘Een week in Rio de Janeiro’, published on Metropolis M website

02/2015 - Interview with artist Barbara Visser published on Afterall Online website

2010–2015 - Co-editor of and contributor to various If I Can’t Dance publications, including books with Sven Lütticken, Jacob Korczynski, Snejanka Mihaylova, Sara van der Heide, Matt Mullican, Guy de Cointet’s ‘Five Sisters’, the readers ‘Rereading Appropriation’ and ‘Reading/Feeling’, and more

12/2013 - Essay in catalogue ‘Who Told You So?! The Collective Story vs the Individual Narrative’, published by Onomatopee, Eindhoven

10/2013 - Catalogue essay on artist Iñaki Garmendia, published by Guggenheim Bilbao

06/2012–06/2013 - Reviews on the work of Marnie Slater; Kamila Szejnoch and Tom Kok; commissioned by Kunsthuis SYB as part of their art critics programme

10/2012 - Catalogue essay on artist Arvo Leo, published in ‘This is the Cow’, by the Western Front Gallery in Vancouver

09/2012 - Review ‘Open studio Ester Partegas’ (Chinati artist-in-residence, Marfa), and review of exhibition ‘More Real? Art in the Age of Truthiness’ at SITE Santa Fe, in: Austin-based contemporary art e- journal ...might be good

01/2012 - 'Snejanka Mihaylova', in: Metropolis M, Scouting Performance section

2008–2011 - Articles and reviews published on Mediamatic.net; Simulacrum magazine; De Nieuwe art magazine of Arti et Amicitiae; Tubelight; and Mister Motley online

Formação, education

03/2017–06/2019 - MA in Contemporary Art, Universidade Federal Fluminense, Niterói, RJ. Thesis: ‘Before, During and After - Ricardo Basbaum’s artwork eu-você - coreografias, jogos e exercícios’.

09/2007–09/2008 - MA in Art History (with honours), University of Amsterdam. Thesis ‘The Complication of Migration. A Study of the Art of Emily Jacir and Sara Rajaei’.

09/2003–09/2007 - BA in Art History, University of Amsterdam, with a minor in Film and Visual Studies

01/2003–06/2003 - Cambridge Certificate of Proficiency in English, South Thames College, London

09/1996–09/2002 - VWO diploma from Elzendaal College, Boxmeer (high school)

Sobre, about

Contato, contact

tbaudoin[at]gmail.com

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